Still, he sounded better than the two guys representing Pac's weed carriers Tha Outlawz, who provide awful performances they're so forgettable that the only guy I can actually remember hearing from was Hussein Fatal, and that's just because I hate his dumbass rap name.
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Snoop's appearance at the very end was kind of pointless, as he doesn't actually rap (and his monologue is delivered in a manner intended to show depth where depth doesn't exist), but West Coast stalwart Dru Down fares even worse, only lending some ad-libs during the intro. So it's kind of like two songs in one, except that neither track is complete and nobody involved could be bothered with giving two fucks. This bizarre construct appears on the surface to be a song about a man who will do or say whatever it takes to get a girl to fuck him, but that conceit doesn't mesh with the late Nate Dogg's hook, which is all about how each artist on this song keeps running across the same loose women as though this was some sort of weird and mysterious Twilight Zone-esque phenomenon and not the result of these guys simply sticking with the rivers and lakes that they're used to. Appropriately enough, this was also the first song Pac recorded when he finally made it into a booth. So even though I'm not the biggest fan, the track still serves its purpose effectively. It was never a favorite of mine, as it sounds too soulless to impress me all that much, but I completely understand why everyone else in the world loves this shit: Dat N-a Daz lends Pac an ominous instrumental that is simple enough to replicate but menacing enough to announce the arrival of Death Row's savior (becoming especially dark when he briefly references the shooting that took place right before he was sentenced).
#2pac all eyez on me album review track by track full
This was the first time I've listened to the track in full since having it blasted into by subconscious while riding around with friends back in 1996. Hell, Pac doesn't even bother to pay any respect to proper song structure: although “Ambitionz Az A Ridah” (which is all about what our host hopes to accomplish as a ridah) follows a traditional verse-chorus-verse-chorus-verse blueprint, his opening salvo is Cappadonna “Winter Warz”-esque, by which I mean it is crazy long. I suppose his short prison stint left 2Pac feeling that every moment was precious: that's the only reason I can come up with for All Eyez On Me being the first non-soundtrack project on Death Row Records to not include an introductory track of any sort. Thankfully, the paperwork required to shift the man's allegiance to one of the most widely heralded gangsta rap record labels of all time was minimal, as Pac was already signed to Interscope Records: all they needed to do was switch out executive bathroom keys. (Whether that charge was falsified or not isn't up for discussion here.) After serving eleven months of his sentence (which he spent catching up on his reading, marrying his longtime girlfriend, and writing a screenplay that is still being shopped around in Hollywood to this day), he was sprung from the pokey into Marion "Suge" Knight's custody (no doubt his profits from all of the royalties garnered from The Chronic and Doggystyle played a rather large role), and he agreed to his newly-found freedom in exchange for signing a deal with Death Row Records, which would later turn into his final recording home. VERZUZ battle.To catch folks up on the story thus far: 2Pac had been sentenced to a four-and-a-half year prison sentence for sexually abusing a woman in his hotel room. Meanwhile, Swizz Beatz and Timbaland recently revealed their hopes to do a 2Pac Vs. It’s a young Crooked, and you’ll definitely be able to tell.” “And just because of this conversation I’m gonna put it out. But when I heard 2Pac’s ‘Dear Mama’ I realised I was on the right path because my favourite rapper of all time had created a song in the same vein as mine.” I was just making music for myself, for my soul and my sanity. I wasn’t even in a position as an artist at this time in my career to put music out. I said, you know what, I can’t use this song. He continued: “About a month later 2Pac drops his ‘Dear Mama’ track. That song was called ‘Dear Mama’ and it was done before 2Pac did his.”
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I recorded it at this studio owned by two former NFL payers, Chuckie Miller and Leonard Russell, who took an interest in me. I wound up homeless and I started missing my mom so I wrote her a letter. Everything had turned super expensive,” said Crooked. “When I was young, my mother left California for Oklahoma because the economy was fucked. Discussing how 2Pac inspired him to keep pushing on with his own career – even when he was homeless and sleeping in the back of a library in Long Beach – Crooked told NME that he has a song called ‘Dear Mama’ that he recorded before 2Pac released his famous track of the same name in 1995.